What magic? Where magic? 3a: The Friedmans.

Two prior posts

Header:  portraits of William and Elizebeth Friedman (courtesy George C. Marshall Foundation);  magical alphabets (courtesy of Omniglot).

 

I’ll start by correcting one of my own errors, with thanks to a generous friend who took the trouble to remind me that the ‘Germanic/central European’ idea predates its adoption by Prinke and Zandbergen. It is easiest if I quote his letter. He prefers to remain anonymous.

it is true they  revived it in the first mailing list after it was pretty much a ‘dead letter’ but there is Charles Singer’s ‘feeling’ in 1957; E. Friedman said – no clue why – it was a probable [idea], though that wouldn’t mean it survived necessarily. Robert S. Brumbaugh kept it going in the 1960s or ’70s. He was professor of classical philosophy like Newbold. Like Newbold, settled on a ‘cipher solution’.  I guess the reason  Brumbaugh wasn’t so badly dumped on is Yale held both [ms. and Prof. Brumbaugh] pretty safe  and Y’s-B librarians seem to [have] been super-deferential to Brumbaugh.  The Beinecke site  repeating Brumbaugh’s ideas  for ‘introduction’ even after his death and years [bolded] after the radiocarbon range came out  still talking about ‘sixteenth or seventeenth century’ dating for the ms.  No reason given. Just embarrassing to read.

If I recall right, Singer’s feelings etc. were main basis for it. P&Z didn’t adopt it till late in the ’90s. I’m not sure you could say there is really a ‘P&Z theory’, because no one ever defines what it means, or its limits; no one defends it –  just by flying at anyone doubting it.  Definitions shifty as a Maine fog..

Tried to see if there was anything solid to him [Brumbaugh] acting like he had skills  to pronounce about manuscripts, drawings, codicology, palaeography or anything else like that. Found nothing. Have you tried – any better info? [no –  D]

Can’t believe all Yale conservators believed B’s ideas, but if not why let readers be sent off in wrong directions? Just sayin’.

Bottom line anyway, D., is you’re wrong about it starting with P&Z.   ‘Germanic theory’ has to start with Singer Charles at least his ‘feelings’. I’d  guess the thought would have died before 1980s, then Brumbaugh kept it above ground. When he died, along came P&Z with a writ for theory’s life-support. ha-ha. So it’s still here.  

All the above is one person’s opinion. Of course  I’m grateful for the correction and will call it  the ‘Germanic-central European’ theory from now on.

Here’s where d’Imperio mentions Charles Singer’s “feeling”. If you don’t have a smart screen, open it in a new tab.

Singer's vague feeling German clip p.7

________________________________


Lynn ThorndikeThe previous post ended with the letter that Lynn Thorndike wrote to Scientific American in June of 1921 and about which, as I said, some less obvious aspects are even more interesting than what Thorndike actually says in it.

He made three points, two stated outright and one implied. 

First, he pointed out that there was no  evidence that Roger Bacon had been given to writing in cipher. Thorndike had closely studied Bacon’s works in manuscript copies and knew what he was talking about.

Secondly, he said that  [even accepting Newbold’s categories for the manuscript’s sections, just for argument’s sake] –  there was no reason to assert that Roger Bacon was the only possible author. 

Thorndike’s third point was implied, but serves the same argument against Wilfrid’s “Roger Bacon scientific ciphertext” story – namely, anyone tempted to believe that the manuscript’s content was ‘science or pseudo-science’ could –  perhaps should–  then test the idea against the evidence of those tens of thousands of manuscripts treating such matters that were held in the British libraries alone.*  He implies, too, that such persons might also consider his own forthcoming study.  When issued in print in 1923, that first volume would contain 835 printed pages and a late-added sentence on this same ‘Bacon wrote in cipher’ myth. 

*Each of Thorndike’s volumes includes a list of referenced manuscripts. His own studies were not limited to British collections. 
  • Lynn Thorndike, The History of Magic and Experimental Science  Vol.1. pp 766-767.

But the really interesting thing about Thorndike’s letter is something else again.

With Thorndike being, at that time, the pre-eminent specialist in the history of medieval magic, sciences and pseudo-sciences – including astrology and alchemy – you’d think that if he could have done so, he would have happily destroyed that ‘Roger Bacon ciphertext’ idea more efficiently.

All he had to do was to point to some other securely provenanced and dated manuscript, from some time and region other than Bacon’s, and show positively that the other manuscript’s diagrams, script or drawings were very closely similar in structure, form, stylistics and intention to something in the Voynich manuscript.

So long as the comparison was of substance, not superficial appearance, and was accurate, that would have been enough to disprove Wilfrid’s imaginative scenario.

Yet Thorndike never did, so far as I can discover.

For a scholar having Thorndike’s level of scholarship and expertise, who had the necessary languages and who had already spent years in close study of a particular class of European manuscripts, it would not be difficult to say of a manuscript, “these month-diagrams (or plant-drawings, or containers) look like versions of text x produced in time y within region z‘.  Professionals and scholars did the equivalent every day[within their own particular area of specialist studies – clarification added 16June].   By 1921, just as Thorndike says, tens of thousands of manuscripts in British libraries had already been catalogued and accurately described.  Only a small percentage of those tens of thousands which were acquired by the British Museum, and which are now accommodated at the British Library have needed their first description and dating corrected –   and as a rule it is place, rather than date, that has needed correction.*

* see for example, Brit.Lib. MS Egerton 821, acquired and catalgued in 1840 –  yes, 1840.   On the older website  ‘British Illuminated Manuscripts’ it is described as German, but in the light of recent research the newer site ‘British Library Digitised manuscripts’ corrects the record to ‘Southern France’. The dating stands.

So Thorndike’s silence is a resounding silence.   It is like that silence from Panofsky in 1932 or the silence underlying Tiltman’s comments* of 1968.

*quoted in next post.

While Thorndike might accept that the manuscript’s appearance was compatible with Wilfrid’s  suggested thirteenth-century English provenance, the manuscript’s content apparently found no comparison in his experience. If this inference is correct, then in Thorndike we have yet another instance of a genuinely qualified and eminent specialist saying – overtly or tacitly – “Not one of mine”. (See earlier post ).

Public discourse versus ‘national secrets’.

National Seecurity cleared d'Imperio Elegant 1978

At first it was only within the secretive environment of  Friedmans’   ‘national security’ project, during in the fevered years of McCarthy’s witch-hunt for ‘communists’ that  an idea of the Voynich manuscript’s containing  occult matter would be entertained and then mushroom until it had plainly become an idée fixe for William Friedman and his wife Elizebeth. Since they determined the limits and direction taken by their several different ‘study groups’, their fixation drove research and is thus embodied in Mary d’Imperio’s summary of the Friedmans’ – ultimately failed – efforts to ‘break the text’.

However it would not be until that summary was released in 1979 by the NSA  (established in 1952 within the Department of Defense) before that the inherently anachronistic notion could begin to affect a  wider public, and so become in time another unfounded ‘Voynich doctrine’.  As my correspondent rightly says, apart from the Friedmans, the other two driving influences were Robert S. Brumbaugh and the Beinecke librarians of half a century ago. [typo corrected and link added 16th June 2021]

DDC approval D'Imperio Voynich
d’Imperio’s Elegant Enigma, cleared for release by the NSA June 1979

It is easily forgotten that this idea of ‘magic and occult’ did not affect discussion of the manuscript until the 1970s.  From 1944 until that time, it was only within William Friedman’s circle that attention would shift from the first part of Wilfrid’s romantic tale to the second phase with its insertion of John Dee into the narrative. 

Roger Bacon died in c.1280 and Dee was not born until 1527. 

In the usual way, no one would suggest that a manuscript  not incompatible with a thirteenth- or fourteenth century date could include matter proper to the seventeenth, and neither  Wilfrid nor Newbold did.  But the Friedmans did, and the ‘occult’ idea was always anachronistic – as it still is – and was always tied to a peculiar set of unfounded ideas, centred on some fantasy-figure invariably imagined as a white Christian male, a member of the elite, usually one whose natural environment was a royal court,  whose interests were arcane and whose name, invariably, was presumed recorded in extant historical documents.   

Nothing about the manuscript – not the quality of its vellum, the organisation or layout of the page, and not even the binding offers support for ideas that kind. (Which is why, incidentally, any description of the scribal hands as ‘humanist’ begs a great many questions, given the radiocarbon range of 1404-1438).

There was no check on the Friedmans’ pursuing the idea because they acted independent of, and largely indifferent to, opinions from the best qualified and most experienced specialists – whether in Thorndike’s field of study, or in historical studies, art history or any of the disciplines that enabled a manuscript made in medieval Europe to be accurately dated and placed.

Indeed, when it comes to Thorndike,  the Friedmans did not just ignore him and his work – they positively ‘blanked’ both. And their attitude is found reflected in d’Imperio’s Elegant Enigma – of which, more later

Bacon and Rubruk LUTZFor the rest of the world,  completely unaware of what the Friedmans were doing and who they were, the manuscript mostly continued to be supposed English and the written text ‘A Roger Bacon ciphertext’, as we see from entries in Jim Reeds’ ‘Voynich Bibliography’.

Nor was the general public  much interested in the idea of Roger Bacon as someone involved in magic, its theory or its practice.  

True, Wilfrid had embedded John Dee into his sales’ pitch and Newbold injected an air of mystery and magic into his talk to the Surgeons of Philadelphia in 1921, but the public weren’t buying it – not in the literal or in the metaphorical sense. Edward Lutz’ paper of 1936 is a good example of how even earnest efforts to write an objective account of Bacon’s life and works included, with solid information, much  romanticised history, imagination and credulity toward claims made by both Wilfrid and Newbold.

  • Edward Lutz, ‘Roger Bacon’s Contribution to Knowledge’, Franciscan Studies, No. 17 (June, 1936), pp. ii-v, vii-xi, 1-82. The image shown above, left is from Lutz’ paper.

It’s not difficult to understand why most people of that time rejected the ‘magical’ theme. 

Not only the public at large but  many contemporary scholars conceived of Roger Bacon as a ‘scientist before his time’ a little as if he’d been an earlier, and English version of Leonardo da Vinci. (Many Germans attempted to elevate Albertus of Lauingen in exactly the same way). 

Reverence for Science  (with a capital ‘s’) was never higher than during the first half of the twentieth century, and the Scientist was imagined some paragon of rationality, while believers of magic were relegated to an opposite extreme.   Only the few who had actually studied medieval writings understood that the line was not so clearly drawn in the days of Roger Bacon or, come to that, of Albertus.

So the popular, idealised view of Bacon could not be reconciled with notions of his being a ‘magician’ and  in discussions of the Voynich manuscript never took hold beyond an occasional mention of astrology or alchemy with a very very small ‘a’. To give you a sense of the times, here is a paragraph from Lutz’ paper.

Alchemy for Bacon formed merely the stepping stone to the higher science of chemistry, and so he correctly evaluated  the former’s worth. Hence, his comprehensive mind having grasped all the rudiments of the subject [i.e  alchemy’s technical skills] , Roger drafted principles of action whereby he employed the knowledge of those before him in his own inimitable way to arrive at many new discoveries…. Besides the ordinary metals known to the ancients Friar Roger appears to have isolated quite a few of the rarer elements; for in his writings have been found the formulae for extracting phosphorus, manganese, bismuth, and others from their compounds.

Lutz, op.cit. p.49.

 

Friedmans and his ‘teams’.

American shaggy mushroom

Tiltman paper released by NSA 2002

 

There is a reason why ‘team spirit’ and group-work is associated chiefly with government organisations, the military, with commercial corporations,  and with sports. 

All are inclined to frame their purpose in terms of an  ‘us’ against ‘them’.  The very concept of the ‘team’ begins by assuming unity of attitude and purpose, and then actively promotes those ideas within the group’s members, the aim being to defeat the supposedly inferior – or even nefarious – aims of “the others”.

No matter how acute a thinker any individual within a ‘team’ may be, the ‘team’ itself is an inherently anti-intellectual structure.   At its worst it serves up less-than-truthful propaganda, or forms into a ‘think-tank’ whose charter is to fake, distort or misrepresent objective technical information to facilitate  particular commercial or other forms of exploitation.. and so forth.

Scholars having already achieved eminence in one of the critical sciences (as distinct from the pragmatic sciences) are inclined to resist pressure placed on them – no matter how subtlely – to become ‘team players’ in any situation short of war.   

In normal situations, scholars may confer; they may contribute to the organisation of a seminar, or to the production of collected studies, but in the last analysis a scholar whose profession has already recognised the quality of his or her work wants to work and think without intellectual- or social pressure exterted on them  to go along with some ‘median line’.

Error remains error no matter how many hands go up signalling assent to it.  One cannot ‘vote’ for an idea to become a fact.  Scholarly consensus doesn’t work that way.  

Let me put it more mildly by quoting a comment from ‘Sir Hubert’ at Nick Pelling’s blog:

.. breaking ciphers is all about testing hypotheses and finding *the* consistent solution, of which there will be only one. Historical research doesn’t admit of one neat solution and works very differently.

“SirHubert” ( comment to Ciphermysteries, December 10, 2013.

The Friedmans formed a team of two.  Those who came for a shorter or for a longer period worked at their direction and along the lines which Friedman decided, and decided without much effort to learn anything more about medieval history, manuscripts, codicology, palaeography.. or even medieval and later magic in Europe. As we shall see.

_________________________________

Lynn ThorndikeThe first volume of Lynn Thorndike’s great study  appeared in print in 1923. HIs eighth and final volume, covering the seventeenth century, was published in 1958.

It represented the first comprehensive. scholarly study of these matters in English, and was for decades the only substantial reference work for an English speaking public.

As you see from the illustration (below), the whole series covers a period from long before Bacon’s birth (c.1219 AD)  until after Rudolf’s death in 1522. 

Thorndike volumes

 

You might think, then, when noting the large proportion of d’Imperio’s Elegant Enigma that is assigned to occult and magical matter,  that a great many mentions of Thorndike would be found within.  After all, he was in America, as they were, and was someone against whom, between 1944 and 1958,  an hypothesis about ‘magical matter’ could be checked to see if it accorded with the facts and documents of history.  After 1958, there was his magnum opus against which a theory the Friedmans had adopted could be checked in the same way.

You might think so  – but it isn’t so.  Thorndike is spared just a few sporadic sentences. 

from: Elegant Enigma –  ‘Table of Contents’

d'Imperio section 8

d'Imperio sections 9 & 10

If that fact is startling, their  tone  is still more disconcerting: 

Thorndike has, with characteristic emphasis, stated his opinion that “There is hardly one chance in fifty that Roger Bacon had any connection with the production of the Voynich manuscript.” (quoting a paper of 1929)…. p.6

Thorndike’s debunking of Bacon seems to be a shade more savage and thoroughgoing, doubtless as an over-reaction [sic] to the effusive and misplaced adulation of Bacon by some earlier writers…. p.50.

Thorndike .. characterises Ars Notoria as an art designed to gain knowledge of, and to communicate with God by the invocation of angels, unsung mystical characters and prayers; he also dismisses all the material as “meaningless jumbles of diagrams and magic words” without telling us much more about it. … p.59

Thorndike (1923-58) discusses alchemy in passing as he describes the writings of various ancient and medieval practitioners. (p.60)

The dismissive and faintly derogatory tone of these remarks makes them worse than actually incorrect, or an insult to the man, but wrong in the worst way.  It is almost enough to make the present writer resort to fiction, too, because I can almost see Willian Friedman, while still working on his initial ‘Bacon ciphertext’ premise, flicking through the first volume of Thorndike’s History… looking for ‘sets of alphabets or something’ which can be conveniently transferred to computer punch-cards and finding nothing so facile, tossing the book away with a supercilious expression and some sneering comment.

From time to time, d’Imperio gives us such a glimpse of the way in which the Friedmans had an excessive idea of their own importance and expressed it by denigrating specialists in all intellectual disciplines, save the practice of cryptography.

Before illustrating that fact, I want to explain its importance – that their inability to recognise the value of other areas of knowledge meant that their range of external checks for any idea about the manuscript’s date and evident character was very small, desultory and curiously ignorant of relative weight – that is, of whose opinion was worthy or greater or less attention, of whether a subject needed them to devote more, or less, time to learning about it before incorporating it into some theory or other.  As one looks down the list of those who are mentioned approvingly in d’Imperio’s summary of the Friedmans’ failed efforts to ‘break the text’, a pattern does emerge.  Greater weight is given the opinion of anyone who is willing to lend support to some idea which Friedman finds attractive and correspondingly less to those who cannot concur with his views.

Thus, Singer whose ability to judge a manuscript was far inferior to that of Panofsky or Thorndike, is given great weight, and no effort is made to use genuinely expert opinions to ascertain whether Singer’s “renaissance Germanic occult” notion is compatible with the palaeographic, codicological or iconographic evidence, or even with Thorndike’s information about the history of magic and pseudo-science.  The push was simply towards hunting evidence for the theory – never a balanced idea of its relevance to the manuscript.   Thus, the entire construction of the ‘Germanic-and-occult’ narrative is based on not much more than Wilfrid’s imaginative tale, Singer’s poor attempt to date and place the manuscript, and Friedman’s liking the idea while being over-confident about the superiority of his own opinions over all academic scholarship.

d'Imperiod’Imperio herself, though her writing usually suggests a person of calm, balanced and orderly mind, bursts out occasionally with the most astonishing, ill-founded ideas.  It was in that atmosphere that the ‘occult Voynich’ notion flourished, moved well beyond any reasonable chronological boundary, and would become inextricably, if inexplicably, linked to a ‘Germanic’ theory.

The very persons and sources that might have prevented Friedman from such irrational theories were unable to do so by reason of the fact that they offered him contradiction, and Friedman’s self-importance would not allow him to accept correction from anyone but – occasionally – John Tiltman.

We have seen how Friedman acted with regard to Professor Panofsky, and how the Friedmans reacted when an academic board advised them the manuscript’s content was unlikely to be of any importance.  Again, there are those few, cursory, dismissive references to Thorndike, and the cavalier way in which Fr. Theodore Petersen’s work was mistreated. The following passage was quoted in an earlier post but I include it again to show that not only Friedman himself behaved in that irrational way, but his attitude came to infect the team.  It is especially uncomfortable to have this from d’Imperio.  

The manuscript probably contains only trivia”, the board said.

to which d’Imperio adds, with sneering air-quotes, the following extraordinary farrago of baseless assertion, speculation and sheer fantasy. It is not clear the degree to which she is relaying Elizebeth Friedman’s views.

I must confess that I can see little justice in the reasoning of those “academics”… who dismiss the Voynich manuscript out of hand, after what can only be the most superficial attention. Even if it is, in fact, a fabrication … associated with the court of Rudolph II, an understanding of who wrote it, its passage from one to another of Rudolph’s familiars and the part it played in the remarkable congeries of religious and political activities at Prague in those times could prove to be of great interest. .. If the manuscript is a compilation , however “deranged” or idiosyncratic …drawn from earlier magical, alchemical, or medical works, it has at least as much intrinsic interest and “scientific’ import for the history of Western thought as do other similar manuscripts which are readable, and concern only one topic [i.e.. they are either astrological or alchemical or medical]. Reputable scholars apparently see no waste of time in studying “plaintext” manuscripts of this type and may spend much of their lives so occupied”.

For the notion that the manuscript is about astrology, alchemy or medicine there is, to the time of writing, no proven basis in fact.

Not one of those ideas has ever been introduced as an end-result of concerted and formal investigation of either the images or the written text. Every one of them is an assumption for which the underlying premise is that in some way or other the manuscript will be a flawed copy of some ‘normal’ Latin European text.

For that assumption there is no  basis established either though the idea has been constantly assumed since 1912.

Another instance of that astounding loss of proportion occurs after d’Imperio has related, as if they were of equal weight, opinions expressed by various people about the manuscript’s drawings.  She then says:

In sum: it appears as if no one has made or documented a really careful and systematic attempt to contrast and compare the style of the Voynich manuscript  drawings to other manuscripts of various origins and dates such as could answer some of our questions.

*a five-seconds’ pause*

Did she never ask herself – “Why on earth should they go to such lengths to answer some of our questions?”

The manuscript was Friedman’s project.  Even among the first lot of military cryptographers, some wanted nothing to do with it, as Jim Reeds relates.

Writing in 1994, Reeds says of Friedman’s  “first study group”[FSG] which operated from 1944-46:

Frank Lewis re Friedman and FSG VoynichAt the end of the war, the Army cryptanalysts headed by Friedman found themselves without any pressing tasks. Many were simply awaiting demobilization and return to their universities and civilian practices. Friedman took advantage of their momentarily free time and talent by organizing an effort to work on the Voynich problem. The group studied the available scholarly material, [sic!] discussed hypotheses, transcribed the VMS onto IBM cards, and disbanded. …It is known that Frank Lewis .. and Martin Joos … were in the right place at the right time to have been part of the FSG but Lewis was not attracted to the Voynich problem and Joos thought Friedman’s approach was misguided, so neither participated.

  • [pdf] Jim Reeds, ‘William F. Friedman’s Transcription of the Voynich Manuscript’ (1994). Frank Lewis assisted in breaking Soviet ciphers, as part of the ‘Venona’ project aimed at identifying active soviet agents. 

To imagine, in the 1950s, that someone like Panofsky, or even Singer, should set aside their own professional research and duties to undertake so massive a task as is implied by d’Imperio – and  merely to provide Friedman with pre-digested ‘answers’ for his often embarrassingly ignorant questions –  is beyond mere cheek. 

The best excuse I can suggest for d’Imperio is that her own ignorance prevented her being able to so much as imagine what such a task would entail. Perhaps the easiest way to make the point is by the reciprocal: it is as if Panofsky has expected Friedman to produce a translation of the written text within a fortnight so he could write a full explanation of the text’s images, their origin and purpose.

It’s no exaggeration to say that one might make an entire doctoral dissertation on the practical and philosophical  implications  of  “comparing and contrasting drawings in manuscripts of various origins and dates” .

Comparative studies are the life-work of those who specialise in this fairly small and difficult branch of iconological studies, and most who do, work for private clients and do not publish their professional research. 

I will say that such work  involves a great deal more than looking at pictures with a ‘pick the similarities’ attitude, because what is actually being compared are the things about which different peoples make pictures – they give form to their unique culture, embody in the picture ideas from proverbial sayings, religious beliefs, ideas about the heavens and earth, their oral and written literature, their tribal heritage, and memories of times so long ago that western culture cannot grasp such constancy. They make pictures from their own practical lore, including that about plants or stars.. and more. So too did medieval Latins, but since so much of that culture remains in modern western Christian society, the way of interpreting pictures from that environment seems ‘natural’ and easy to modern Europeans and, thanks to the colonial period, to much of the world where it was never natural. 

But at least d’Imperio understood that to ‘contrast’ is as important as to ‘compare’. Today,  even Kindergarten children learn how to ‘compare and contrast’ – it’s part of pre-literacy education, but for some inexplicable reason, it has never been part of, so to say, ‘Voynich studies 101’. In practice, it’s the ‘contrast’ phase which produces the most valuable information. 

  And Friedman himself was never interested in hearing  ‘unlike’ from  the historical record or as others’ opinions. Knowing that the number, and range, of those asked to submit ‘answers’ to Friedman was not only small, but were curiously ranked by the Friedmans and thus by d’Imperio, and the written sources were so summarily treated, it becomes easier to understand how Elegant Enigma came to contain  so many statements patently untrue and so many and various tyro-nian errors.

Take that reference to ‘Ars notoria’, for example.

[the] Ars notoria

frontispiece Ars nortoria Agrippa's interpretationd’Imperio says Thorndike had ‘nothing much to say’ about [the] Ars notoria, but he refers to it in many places, such as when speaking of Fontana in Vol.4, where his footnote reads, 

   “On the ars notoria and the sacred characters [see] ibid 17r, 99v, 73r.”

His reference is to the 1544 edition of a specific text (S. Marco VIII, 72 {Valentinelli XI, 93). 

 

  • Lynn Thorndike, A History of Magic…  Vol.4 [Fourteenth and Fifteenth Centuries] p.169 n.99. (1934). 

If the Friedmans’ indifference to ‘external checks’ had been less pronounced, then even if they could spare no-one to travel to Europe to check that precise source, any  enquiry directed to, say,  a university library, the Library of Congress, or the British Library would have informed them that an English translation had been made of Cornelius Agrippa’s work of that name and had been published in 1657, by Robert Turner. Turner’s translation is not in d’Imperio’s bibliography, but the 1651 translation of Agrippa’s Occult Philosophy is. That translator, John French, is advertised as .. well, see for yourself.

Agrippa frontispiece for John French's translation of 1651

The content of Agrippa’s Ars Notoria is, indeed, much as Thorndike said.

Any reader here who likes to verify information may like to know that there online a fine transcription of that English translation, created by Benjamin Rowe who has offered it without charge as a pdf.

Of course one understands that as Friedman’s frustrations grew, he began pushing the chronological boundaries beyond the reasonable, towards a period when Latin Europe used ciphers of sufficient complexity to (as he hoped) equal the text’s intransigence, and similarly frustrated by the absence of any expert’s suggestion of a ‘similar’ manuscript to provide a way in, Friedman also moved his focus from the first, to the second phase of Wilfrid’s marvellous romance the age of Dee and occultism.

But Friedman’s ‘occult’ theory was always anachronistic, as you see from d’Imperio’s Table of Contents.  It was always focused on the sixteenth century and later, and on  preoccupations of the Renaissance elites.  Biography  becomes  central preoccupation of that theory, and among its string of unfounded premises and ‘logical’ extrapolations from baseless premises is an  assumption – often expressed as Wilfrid-style assertion –  that the whole content of the Voynich manuscript must be matter likely to have interested to some wealthy, white Christian male whose natural environment was an elegant circle of literati, of royal or of imperial persons sharing occult knowledge. We may blame Wilfrid for the notion’s genesis, but Friedman sowed the whole farm with it, and the present generation – thanks to Elegant Enigma, Brumbaugh and, yes, the Beinecke  – is still trying to pretend his cockles are corn.

In the next post, I’ll consider a couple of instances where we see a ‘break-though’ almost occur in Tiltman and in d’Imperio.  In Part 4 I’ll consider Brumbaugh’s ideas and the Beinecke library’s adoption of a Friedman-Brumbaugh ‘occult voynich’ theory as part of their official description for the manuscript. 

There is no issue about a cryptographer’s thinking up an hypothesis, and then testing it,  but at some stage s/he must ensure the theory has some anchor in the realities of history and the testimony offered by the object under study.  In this case, the reality is  that nothing about the manuscript ever justified the ideas related (see above) by d’Imperio. Not the materials, nor the binding, nor the quality of the vellum nor (for the most part) the pigments justify a date later than the radiocarbon range of 1404-1438.

Till next time, you might think on the following, because the second part of this judgement still holds, fifty years later.

Professor Panoffsky [sic.] and the keeper of the manuscripts at the Cambridge Library both independently insisted on a date within 20 years of 1500 A.D., and [that] the manuscript as we have it may be a copy of a much earlier document.

  • John Tiltman, ‘The Voynich manuscript: “the most mysterious manuscript in the world”‘ (1968).p.10. (link in Cumulative Bibliography page)

Tiltman paper released by NSA 2002

or in the words of Patrick Lockerby, writing before the radiocarbon range was published:

My dating of the manuscript is 1350 to 1450. From that perspective, whatever happened .. after 1450 is of no relevance in formulating any theory about the Voynich ms.

Patrick never pretended expertise in codicology, palaeography or iconological analysis, but his judgment wasn’t bad, was it?

 

Fear of the unknown – and raft ‘Elegant’

Two previous:
Expert opinions: ‘Not one of mine(
Specialist Opinions – Richard Salomon (
Header Illustration: advertisement for white-water rafting in Thailand.

 

This post considers the effect on the manuscript’s study of excessive confidence when combined with social bias.

One of the most interesting aspects of the work done by William and Elizebeth Friedman, and the military cryptanalysts who formed their study groups, is that they seem to have founded their entire study on the unquestioned adoption of three items from Wilfrid Voynich’s narrative. These three ideas were that the written part of the text was in cipher;  that the content was connected to science or pseudo-science, and that the manuscript had belonged to Rudolf II.

None of those items had then – or has yet – been proven true. The first was a guess; the second mere speculation and for the third, as I’ve said before, the only evidence that Rudolf so much as saw the manuscript in his life is a second-hand report of a rumour which even the person reporting it declined to endorse. When I say ‘the only evidence’ I mean that then, and still to this day, no evidence has been produced which lends it credence.   Yet d’Imperio would later include this among ‘known facts’ about the manuscript, reflecting the unwavering faith in that idea on the Friedmans’ part.

And with d’Imperio’s book serving as a life-raft to those bewildered by the manuscript since the 1970s, it is a rumour that has often and with determination been maintained as indisputable.

No matter how logically they proceeded from this unreasonable basis, the Friedmans’ theoretical argument could never be more reliable than its ‘givens’. We see the resulting blind spots in d’Imperio’s Section 8.

Imagine for a moment that the manuscript were a technical or commercial notebook: say made by a dyer.  Imagine that the botanical imagery were the regularly-needed dye-plants, the ‘bathy’ section a technical description of processes and so on. Imagine the dyer one of an underclass in medieval Europe: a Muslim from Spain, a Jew in the Balearics or a slave born in the Baltic or in North Africa resident in Sicily.

In such a case, it would never have appeared on the Friedmans’ horizon.  The cryptanalysts’ limited vision has an historical and cultural explanation too, but here is Section 8 from d’Imperio’s ‘Table of Contents’.

 

Note that the only form of literature being associated with the Jews is the type the Friedmans would describe as superstition – and that although d’Imperio herself (p.8) quotes Hellmut Lehmann-Haupt’s information that by 1963 “there was near agreement on the date of the cipher manuscript as around, or a little after, the year 1400” her focus remains fixed on the ‘Rudolfine’ era and its interests, as had the Friedmans’.

Note too the omission from the headings in Section 8 of other categories of medieval writings, even within western Europe: commercial, mundane, artisanal, pedagogic or standard religious devotional. With copies of Biblical texts, or certain standard references (such as bestiaries or Isidore’s Etymologies etc.) these form the great majority of medieval Latins’ texts.

The text is imagined ‘secretive’ in the sense of occult or surreptitious for the most part, rather than simply obscure.  Nor does the scheme allow for anything but a Latin (western Christian) mediation of any non-Latin matter before it might enter the current manuscript.

A short passage in d’Imperio’s book sheds light on this, though the modern reader may want a little background to the Friedmans’ time and its attitudes.

As  Wilfrid Voynich was well aware, a medieval manuscript had value at that time because it looked pretty or by others because it was deemed important, but the only things which made it ‘an important manuscript’ in the earlier part of the twentieth century was that (a) its former owners had been of high social rank in European society and/or (b) it belonged in the European vision of its own intellectual evolution, a vision which placed greatest value on the Protestant-Enlightenment period.

The Friedmans were people of their time, born late in the nineteenth century and heirs to the ‘social Darwinism’ which came to infuse popular ideas in the European world and its colonies; this saw none but the Anglo-German European Protestant as truly capable of rational and scientific thought and subsumed the history of the classical era into its own.  To appeal to such ideas together with Europeans’ regard for its aristocracy was second-nature for a seller like Wilfrid, but in adopting the triad of  ‘Science-Rudolf-ciphertext’  from his sales pitch, the Friedmans also validated their showing interest in an otherwise unprepossessing manuscript of unknown origin and unreadable content.

How far these ideas took them from verifiable opinions and historically valid conclusions is demonstrated vividly by a passage from d’Imperio’s book.   (pp. 5-6):

Elizebeth Friedman indicates that the lack of serious interest in the manuscript on the part of scholars was, on at least one occasion, a cause of disappointment to her husband in his research: It appears to be gibberish to many serious-minded academics, who are apt to scoff at the idea that its solution would be of any value to science or learning, as did a great foundation to which [William] Friedman once applied for a grant for the detailed study of the manuscript. In the opinion of the board, a solution would not advance human knowledge. “The manuscript probably contains only trivia”, the board said.

to which d’Imperio adds:

I must confess that I can see little justice in the reasoning of those “academics”… who dismiss the Voynich manuscript out of hand, after what can only be the most superficial attention. Even if it is, in fact, a fabrication … associated with the court of Rudolph II,  an understanding of who wrote it,  its passage from one to another of Rudolph’s familiars and the part it played in the remarkable congeries of religious and political activities at Prague in those times could prove to be of great interest. .. If the manuscript is a compilation , however “deranged”  or idiosyncratic …drawn from earlier magical, alchemical, or medical works,  it has at least as much intrinsic interest and “scientific’ import for the history of Western thought as do other similar manuscripts which are readable, and concern only one topic (i.e.. they are either astrological  or alchemical  or medical). Reputable scholars apparently see no waste of time in studying “plaintext” manuscripts of this type and may spend much of their lives so occupied”.

Now, not only is this largely speculative, but it shows that between 1944 and 1978, the military cryptanalysts had not developed any more solid understanding of the range of medieval writings,  nor investigated the possibility that the text might indeed be of a sort likely to be dismissed as ‘unimportant’ before the rise of economic history,  social history and the history of technologies – disciplines whose development occurred later than the second world war.

That the earlier academic board had not seen the manuscript as important but ‘probably trivial’ had not been taken by the Friedmans as a reason to re-think their  three ‘givens’ but only to deride those whose opinion opposed their own. The normally cool, clear-minded d’Imperio has, in this case, reacted with open hostility and even a hint of the vicious.

No evidence informs her insinuation that the  board’s members were not qualified  – d’Imperio’s air-quotes have no purpose but to express and to inculcate in the reader a belief that their combined opinion should be given less weight than that of a military cryptographer.

Use of the  ‘sneer-smear’ to diminish attention paid to views opposing ones which, though preferred, lack the evidentiary basis needed for reasoned debate, is a phenomenon familiar enough today from its regular use by think-tanks (‘if you can’t discredit the science, discredit the scientist’). In Voynich studies, its employment has increased since about 2006 or so, among those espousing a particular Voynich theory online.

It is this behaviour, more than any difficulties posed by the manuscript, which has made the study a by-word in the academic world.  It is well-known that one takes an interest in it, or contributes information from one’s own area of specialisation only at some risk.  My own experience obliges me to agree with that view, though I do not see that it applied during the time when Jim Reeds’ mailing list flourished.  Ambition and its shadow, plagiarism, were unknown. The members were generally accustomed to scholarly debate and moderators kept the standards high for most of the years it survived.

d’Imperio offers no reason for us to believe that the academic board approached by William Friedman  had given the manuscript ‘only  the most superficial’ attention.  It might be so, or might not, but does run contrary to the usual practice of funding bodies, who usually consider very carefully any manuscript for which research funding is sought.  Many projects are in need of funding and the claims of each are, usually, carefully weighed.

Again, one must ask what evidence justifies supposing the manuscript “a fabrication ….or  associated “with the court and familiars of Rudolf II”.  Only one person whose name is certainly tied to the manuscript had any contact with Rudolf at all, and  nowhere is he recorded as being a member of court or one of Rudolf’s personal ‘familiars’. He was a chemist-physician who treated Rudolf successfully on at least one occasion and who on another lent the emperor money.

detail from a 16thC copy of the Ripley Scroll

And so with the rest.. No evidence or preliminary research had established that the manuscript’s content was magical, or alchemical or medical. As we’ve seen, scholars and experts in reject two of those suggestions and Singer offered no proof for the third. Baresch, who first suggested a medical purpose for it, admitted that it was just a guess.

That Voynich researchers to this day labour to create post-facto justification for each item in that list from Section 8 of d’Imperio’s book says more about their dependence on it, and limited background in medieval and renaissance studies, than it says about the manuscript’s internal evidence or current historical and other studies. Not all allusions to the stars and calendar are ‘astrological’.

There is no rational reason to believe, either, that the manuscript had any influence on Rudolf, his court, or Europe’s scheme for its intellectual history. There is still no proof even that the text is a ‘ciphertext’ or that it would ever yield a neat ‘plain text’ of the type they imagined it should.

The whole construct is no more than the extrapolation from those three unproven notions which the Friedmans adopted on faith from Wildrid’s sales pitch and it represents not just d’Imperio’s views but those of the majority  led by Wilfrid or by Elizebeth Friedman. The idea of the manuscript as reflecting Rudolfine interests became an idée fixe.

Brigadier Tiltman, and Private Currier are the only two of the Friedman/NSA cryptanalysts on record as maintaining an independent view on any of these ideas.  Tiltman said he doubted the content would prove important (in the way the term was then defined) and while still presuming exclusively Latin agency, even allowed the possibility that the material had come from as far as Asia. His opinion is noted, then ignored, by d’Imperio.   Currier approached his analysis without adopting the Friedmans’ assumptions.

When Mary d’Imperio’s book became available to the wider public online, it was valued by the new generation of cryptanalysts and by others whose chief interest was in sixteenth and seventeenth century Prague and its nobility.  The book offered a way to orient themselves and to escape the immediate sense of bewilderment – a life-raft whose comfort was a reassurance that this manuscript was not really strange: just a nice, ordinary, European Christian work whose ‘mysteriousness’ was nothing but the effect of the maker’s obscurantism, mental derangement, deliberate deceit or incompetence and so forth.

To contemplate that its content might indeed be something from a very different culture or time would have been to make clear just how ill-equipped most were to contribute anything of value to its discussion – a loss of face no less dreaded by the Friedmans last century than it is by many ‘Voynicheros’ online today.

Tiltman’s paper of 1968 calls this the ‘most mysterious manuscript in the world’ but I believe we do better to called it most  ‘mysterious-ed’ of manuscripts.  When its obvious non-compatibility with the stemmata of Latin works becomes too obvious, few dare say as plainly as Erwin Panofsky did that this is a manuscript unlike any manuscript known to him, or even as Tiltman said, more cautiously, in relation to the plant pictures:

illustrations of herbals of the 13th, 14th, and 15th Centuries are a most interesting part of the background … To the best of my knowledge no one has seen any book, certainly no illustrated book of the period which covers the wide range suggested by the drawings in it. 

With an admission of inability to recognise what type of manuscript  Beinecke MS 408 might be comes the potential for a new sort of study, one which does not begin from the same three ‘givens’ or by treating d’Imperio’s Elegant Enigma with the reverence due holy writ, but rather from efforts to explain and rightly contextualise the primary evidence.  The world beyond ‘Voynichland’ has much to offer – and more than just digitised medieval manuscripts.

Unhappily, at the time of writing, there is little chance many will leave the safety of d’Imperio’s life-raft. Adding to the primal fear of the unknown is a far more obvious fear of what might follow.    ‘Conform or else’ is an atmosphere prevalent throughout the social media, and it is found in online discussions of this manuscript today.  Such attitudes have made the field a toxic one, but have certainly proven effective in stifling the sort of open intellectual curiosity and well-informed debate which was so admirable a feature of Jim Reeds’ mailing list for most of its life.

 

 

 

Next post:  ‘Elegant life-raft Pt 2:  Faking and forging.